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Eyes have also been peering back to a dust-up involving Mark Grotjahn, the painter and also a MOCA board member who was in the news last month for having pulled out of being honored at a fundraising gala for the museum that had been scheduled for May. In particular, questions loom over Grotjahn having been selected for a solo exhibition at the museum that may have played a role in the split between Molesworth and Vergne. In general, she has been critical of museums and institutions—but, particularly in the past year, she aimed considerable criticism directly at MOCA itself.
The DNA is too deep. They often come from a financial background or a being-rich background. They have really imported their ways of thinking from for-profit models that are very much at play in not-for-profit spaces, so that makes for a certain kind of ethical way of being.
I am never under pressure to support the work of extremely affluent white male artists who are collected by the affluent white male people who run the museum. I wish I had that struggle, because then I could really test myself against what that might feel like. That pushback comes in many forms. Everything that happens in museums is Is there any real women in Moca microcosm of what happens in the world. I have been told: Do I have to look at everything through the lens of identity politics?
I mean, you really have to have people who are civically minded, interested in the public sphere, interested in not-for-profit management. You educate your board, and Is there any real women in Moca board educates you. They work in the for-profit sector in very powerful and effective ways. There was much to learn from them. And there might be things to be learned from those structural things into a museum—and vice-versa. There are values that the museum is invested in and promotes that board members can learn from.
I never made a stink about Is there any real women in Moca I had systematically committed to shows by African-American women in the galleries.
But I do think I was a little devious about that. We are not post-sexist, we are not post-racist. We are living in a very complicated time.
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